As much a tribute to pop culture as a big-screen version of the '70s
series, 'Charlie's Angels' has so much energy and tongue-in-cheek
charm that it DARES you NOT to root for its three young stars! And
while the film won't erase the images of Farrah Fawcett in a thin
tanktop on a very cold day, there is a wholesome sexiness and
accessiblity in Barrymore, Diaz, and Liu that none of the various
teamings of TV 'Angels' ever achieved!

The pre-title sequence is
outrageous, and fabulous! ...

Each Angel has a unique
backstory...Natalie (Diaz) is an ditzy, upbeat 'Soul Train'-dancing
wannabe who 'shakes her booty' at home in Spider-Man undies, looks for
'Mr. Right', and is a crack driver; Alex (Liu) is a 'leg waxer'/extra
on an action movie set, who is a lousy cook, sleeps with the film's
star (Matt LeBlanc, in a funny cameo), and is an expert in technology
and martial arts; Dylan (Barrymore) is an ex-high school 'bad
girl'/free spirit involved with a seedy, insecure hippie living in a
tugboat (humorously portrayed by Tom Green, Barrymore's real-life
boyfriend), is a master of disguise, and leads the trio.

As in the
TV series, the Angels work out of the Townsend Detective Agency (still
located in the famous colonial brick building), and communicate with
the never-seen Charlie (voiced, as always, by John Forsythe) via the
telephone. As the trio's liason, Bosley, Bill Murray is simply
perfect, hilarious in his patented 'smarmy but lovable' persona!

The plot revolves around the kidnapping of a Bill Gates-type
computer genius (Sam Rockwell, 'The Green Mile'), and a technology
that can pinpoint any person's location, anywhere in the world. The
prime suspects are competitor Roger Corwin (Tim Curry, in a
delightfully wicked turn!), and his hitman, portrayed with kinky
relish by Crispin Glover. Hired by Kelly Lynch (who has a ball in the
role of Rockwell's partner!), the Angels embark on a case with all the
twists, betrayals, action, humor, and mayhem that a fan could ask for!

Loud, good-natured, and pulsating with a soundtrack of '70s-'80s
Top Ten songs, the film combines 'Matrix'-style freeze-frames and
slow-motion FX with a ton of Pop Culture references and a
swashbuckling sense of derring-do! The film literally rocks, and never
lets up!

Is this 'Great Cinema'? Certainly not! But in its sheer
audacity, and sense of fun, no recent film can match it! And while the
original series teased with a visual sex appeal that was was largely
ignored in the storylines, the big-screen version has a 'if you got
it, flaunt it' attitude that is both refreshing and empowering! This
is a 'Girl Power' movie, in the BEST sense of the word!

I HIGHLY
recommend it!

This was truly an excellent film. This movie is Oliver Stone's best since Platoon. The fast-moving and dizzying cinemaphotography fits the high adrenaline atmosphere of the professional football world well. The film is also perfectly cast. Pacino gives life to the head coach, and Cameron Diaz's clearly most intense role as the team's owner is believeable. James Woods gives an excellent performance as the team doctor, who doesn't really seem to care about anyone but himself. Jamie Foxx has a breakthrough dramatic role as the new hotshot quarterback, whose ritualistic vomiting adds humor to the movie. With his performance, we find out Foxx really can act. LL Cool J, also puts through a convincing performance as the team's running back. Dennis Quaid doesn't really do much as the former QB with injury problems except help to develop Pacino's character. An outstanding cast, that features Charlton Heston as the football comissioner, and Ann-Margaret as Cameron Diaz's alcoholic mother. Former pro football players Jim Brown and Lawrence Taylor pop up as members of the team. I recommend it highly. This is possibly the best sports movie ever made.

If you like this genre, you'd have to agree that this is a fantastic dark comedy. It's not slapstick or gross-out--just an interesting story with lots of irony and lots of twists. I loved this movie because it's so unpredictable and things go from bad to worse all because of a questionable decision made at the beginning of the story. This is not "the greatest movie ever made" (see earlier review), but it definitely doesn't stink. It's very clever and you will probably want to see it again to pick up on some of the subtleties.

I was very pleasantly surprised because I hadn't heard of it at the theaters and yet it was such a treat to watch. In my opinion, this was much more enjoyable and creative than There's Something About Mary. In fact, I think it's Cameron Diaz's best movie. If you like her work, you owe it to yourself to rent it. Harvey Keitel is also excellent as the husband.

And if you're reading this Cameron, will you marry me? :-)

Nancy Meyers' "The Holiday" has been seriously dissed by most of America's film critics--including one who suggested that any man who goes to see it should be forced to pay with a crucial part of his anatomy instead of money. "The Holiday" is indeed a prime example of what is condecendingly known as a "chick flick," and it's not a movie you can make great claims for. But "The Holiday" succeeds outstandingly in living up to its title; it provides an audience with a two-hour vacation filled with charming, likable actors playing charming, likable characters. The movie is set during the Christmas holidays in which two women with man problems--Iris (Kate Winslet), an English journalist, and Amanda (Cameron Diaz), an L.A. producer of film trailers--meet over the Internet. On a whim, they decide to switch houses for Christmas; Amanda ends up in Iris's picture-postcard-pretty cottage in Surrey, Iris in Amanda's luxurious, gated mansion in Beverly Hills. There, they discover new romantic complications: Amanda with Iris's brother Graham (Jude Law) and Iris with a film composer named Miles (Jack Black). There's also a subplot about the friendship that develops between Iris and an elderly screenwriter played by the venerable Eli Wallach. Nothing that happens in the movie is at all original or consequential. I could even quibble about an inaccuracy or two in Meyers' screenplay (Cary Grant was from Bristol in Gloucestershire, not Surrey). But seeing "The Holiday" makes you feel happy and light of heart, which is all it sets out to do. While the film's appeal is necessarily greater for women, I also think most men will find this a more-than-serviceable date movie. Sometimes you want a movie that's rich, gooey and sweet, that contains no sharp edges and requires no sharp utensils for its consumption. In an increasingly abrasive world, the need for cinematic confections is greater than ever, and "The Holiday" fills that bill.

As soon as I saw the ratings this movie was getting, I guessed it had probably not adhered to the expectations of comic fans and fans of the original movies or series, and a quick scan of the reviews showed me I had guessed right. Although I love superheroes and comics in general, I knew nothing about the Green Hornet when I hit the theater, and I absolutely loved it. Most of all, I loved Kato. I remember telling my friend that this sidekick finally managed to break all the stereotypes. He was no longer an asexual, lesser sucker-upper. I also know most men drool after Bruce Lee, but as a grown-up woman who never really quite managed to get into him, I have to say Jay Chou has all the charisma for which I had kept searching in Lee. This was by all means Chou's movie.
As a viewer without any canonic expectations, this movie had me laughing from beginning to end. It was a breath of fresh air and a break from a lot of superhero stereotyping. I came to Amazon quite decided to purchase it.
I would say, if you are an original fan, beware. It seems very unlikely that you will enjoy it. If you, like me, love superheroes but this is your first time meeting the Green Hornet, I'm quite sure you will love this movie. We can all go and read the seemingly darker, truer version after we fall in love with Chou and start looking out for his next movies and music releases.